Neda Ulaby

Neda Ulaby reports on arts, entertainment, and cultural trends for NPR's Arts Desk.

Scouring the various and often overlapping worlds of art, music, television, film, new media and literature, Ulaby's radio and online stories reflect political and economic realities, cultural issues, obsessions and transitions, as well as artistic adventurousness— and awesomeness.

Over the last few years, Ulaby has strengthened NPR's television coverage both in terms of programming and industry coverage and profiled breakout artists such as Ellen Page and Skylar Grey and behind-the-scenes tastemakers ranging from super producer Timbaland to James Schamus, CEO of Focus Features. Her stories have included a series on women record producers, an investigation into exhibitions of plastinated human bodies, and a look at the legacy of gay activist Harvey Milk. Her profiles have brought listeners into the worlds of such performers as Tyler Perry, Ryan Seacrest, Mark Ruffalo, and Courtney Love.

Ulaby has earned multiple fellowships at the Getty Arts Journalism Program at USC Annenberg as well as a fellowship at the Knight Center for Specialized Journalism to study youth culture. In addition, Ulaby's weekly podcast of NPR's best arts stories. Culturetopia, won a Gracie award from the Alliance for Women in Media Foundation.

Joining NPR in 2000, Ulaby was recruited through NPR's Next Generation Radio, and landed a temporary position on the cultural desk as an editorial assistant. She started reporting regularly, augmenting her work with arts coverage for D.C.'s Washington City Paper.

Before coming to NPR, Ulaby worked as managing editor of Chicago's Windy City Times and co-hosted a local radio program, What's Coming Out at the Movies. Her film reviews and academic articles have been published across the country and internationally. For a time, she edited fiction for The Chicago Review and served on the editing staff of the leading academic journal Critical Inquiry. Ulaby taught classes in the humanities at the University of Chicago, Northeastern Illinois University and at high schools serving at-risk students.

A former doctoral student in English literature, Ulaby worked as an intern for the features desk of the Topeka Capital-Journal after graduating from Bryn Mawr College. She was born in Amman, Jordan, and grew up in the idyllic Midwestern college towns of Lawrence, Kansas and Ann Arbor, Michigan.

The straight white men of Straight White Men aren't what you might expect. Near the beginning of the new off-Broadway play, two adult brothers play a homemade, family board game, refashioned out of an old Monopoly set. Because the family is liberal and progressive, it's called "Privilege." It makes fun of their own straight-white-male privilege.

"Ah, 'excuses' card!" one of the brothers exclaims. The other reads it aloud. "What I just said wasn't racist/sexist/homophobic because I was joking," he deadpans. "Pay $50 to an LGBT organization."

What if the greatest characters in literary history all carried around smartphones and typed out messages to each other? That's the conceit of the new book Texts from Jane Eyre. Author Mallory Ortberg knows it sounds gimmicky, but she loved imagining how Jane Eyre and Mr. Rochester might have texted.

"It's just re-imagined dialogue that I think all of these characters would absolutely say in a slightly more familiar context," Ortberg explains.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

AUDIE CORNISH, HOST:

From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.

MELISSA BLOCK, HOST:

Black Jesus, a new show premiering Thursday on Adult Swim, is about, well, a black Jesus. Set in contemporary south Los Angeles, it presents a Jesus roaming around a neighborhood filled with liquor stores, mini-marts and people praying for help.

Real men eat meat. They kill it and then they grill it.

That's the stereotype, or cliche, that's about as old as time.

At a recent barbecue in Brooklyn, N.Y., a half-dozen guys who resist that particular cultural stereotype gathered together. Many of them are muscled semi-professional athletes, including triathlete Dominic Thompson, competitive bodybuilder Giacomo Marchese and mixed martial arts fighter Cornell Ward.

"My femininity was seen as a problem that needed to be solved."

Laverne Cox is talking about her childhood in Mobile, Ala. She remembers being routinely chased and beaten by classmates after school. Cox was born biologically male, and her gender identity was confusing and threatening not just to other children but to the grown-ups in her life as well. Her third-grade teacher warned her mother, "Your son is going to end up in New Orleans wearing a dress if we don't get him into therapy right away."

Winners of the 2014 Pulitzer Prizes were announced Monday. The Washington Post and The Guardian were among the notable winners, commended for together breaking the news of NSA surveillance programs.

Frankie Knuckles, a legend in the world of dance music and one of the inventors of house music, a steady, beat-driven style played in nightclubs all over the world, died unexpectedly at his Chicago home on Monday. He was 59.

Hundreds of visual-effects artists are planning to picket the Academy Awards on Sunday for the second year in a row. They're hoping to bring attention to what's been happening in their industry.

The field is losing jobs and relocating to countries with bigger subsidies for employers. It's the result of a technical revolution that's changed the profession since it kicked off in the 70s with Star Wars creator George Lucas' visual-effects company, Industrial Light and Magic.

Let's be clear: Olympians handle the physical challenges of childbirth differently than most of the rest of us.

Aretha Thurmond is a discus thrower who'd already competed in two Olympics when she went to the hospital in labor.

"So I get there and they're like, 'Yeah, whatever, you're 4 centimeters dilated. Go walk around the hospital and come back,' " she says.

Thurmond's hospital was part of a university, so she headed straight for its track, where she power-walked for the next two hours. Then the school's discus throwers came out.

Pages